(M.P. — Michael Phillips; G.W. — Glenn Whipp; K.T. — Kenneth Turan; R.M. — Roger Moore; S.L. — Sheri Linden)
Let Me In
This shrewd American remake of the Swedish original novel and film, “Let the Right One In,” follows a young girl vampire, Abby (Chloe Grace Moretz), whose budding friendship with a severely bullied boy leads to a gory confrontation with his tormentors. Abby’s father, played expertly by Richard Jenkins, must keep her well fed with human blood, but things start getting out of hand when Abby ventures out on her own. The entire cast is strong here. And while the original was a very good thriller, the new one is simply a good one. R (strong bloody horror violence, language and a brief sexual situation). 1:55. 3 stars. —
Resident Evil: Afterlife 3D
Director Paul W. S. Anderson is intent on being the worst moviemaker in the biz. His latest installment in the “Resident Evil” franchise begins just past the finale of the last film and ends with yet another cliffhanger. Alice (Milla Jovovich) is still stalking the evil Umbrella Corp., the folks who created the virus that made her super-strong and everybody else the Living Dead. Anderson stages and shoots like it’s a walk-through at the first day of rehearsals. The 3- D is mainly used to hurl shell casings into the audience. R (strong violence and language). 1:33. 1 star. — R.M.
This frantic, entertaining heist film is noisy and unsubtle, but it gets the job done. Top-billed Matt Dillon plays a detective who’s chasing a quintet of stylish hoodlums played by the likes of Idris Elba, Tip “T.I.” Harris and Chris Brown. They’ve been persuaded by a former colleague, just out of the clink, to blow up part of a downtown LA street and boost an armored truck’s worth of banknotes. It’s an unpretentious time-waster. And I rather liked it. PG-13 (intense sequences of violence and action, a sexual situation/partial nudity and language). 1:47. 2 1/2 stars. — M.P.
The Social Network
At once stealthy and breathlessly paced, “The Social Network” scoots at a fabulous clip, depicting Facebook founder Mark Zuckerberg (Jesse Eisenberg) made his billions. When a drunken hack job of Harvard’s student directory turns into a social networking collaboration called “thefacebook,” Zuckerberg takes the idea and his mad programming skills to dot.com, California, leaving his collaborators in the dust. Director David Fincher brings his deft and moody touch, giving us one of the most stimulating films of the year. PG-13 (sexual content, drug and alcohol use, language). 2:00. 3 1/2 stars. — M.P. The Town
Worth seeing for its actors, “The Town” is violent but softhearted, and clearly digs the grungy allure of its Boston criminal world, where the bank robbers disguise themselves as ghoulish nuns. This is a one-last-job movie. Doug (Ben Affleck) angles to make one last score with the gang and go clean. Hotheaded Jem (Jeremy Renner) wants the heists to continue. Everything gets complicated when a hostage (Rebecca Hall) doesn’t recognize her captors and becomes involved with Doug. All in all, an enjoyable film, if a tad too long. R (strong violence, pervasive language, sexuality and drug use). 1:47. 2 1/2 stars. — M.P.
Wall Street: Money Never Sleeps
Director Oliver Stone’s sequel has its satisfactions, thanks mainly to a cast skillful enough to finesse what is effectively two films sharing the same screen. One concerns Gordon Gekko’s (Michael Douglas’) comeback, after doing time for securities fraud and related crimes. The other is a romance involving a Wall Street trader played by Shia LaBeouf and Gekko’s estranged daughter, played by the formidable actress Carey Mulligan. The mood is different, more rueful this time around, but audiences should at least respond to Douglas’ work. PG-13 (strong language and thematic elements). 2:07. 2 1/2 stars. — M.P.